Los desfiles deJeremy Scott, increíblemente coloridos e ingeniosos,han sido durante mucho tiempo uno de los atractivos de la Fashion Week. Para la primavera, el diseñador de Los Ángeles se inspiró en uno de sus temas favoritos: Nueva York, en particular la escena artística de principios de los 80 en el bajo Manhattan. No es extraño a las colaboraciones, Scott, cuyas zapatillas Adidas con alas son las favoritas de los jóvenes de moda de todo el mundo, trabajó con el artista Kenny Scharf en estampados para su nueva colección. (Scharf fue un amigo cercano de Keith Haring, e integral de la escena artística que Scott hace referencia esta temporada). El diseñador se sentó en nycgo.com para hablar sobre su inspiración, su visión estilística y lo que le encanta de NYC.
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In years past, you've referenced a variety of sources. What has inspired you this season?
Jeremy Scott:
It's all about New York City of the early '80s, the Bowery and Lower East Side scene, and the feeling, the energy of that moment. I wanted to represent its characters—Jean-Michel Basquiat, Keith Haring, Kenny Scharf—and bring them to life. I got the chance to collaborate with Kenny on prints for this collection, which was amazing. I've been trying to figure out the right thing to do with him for a while now, and I'm so happy we got the chance. It was so much fun.
In addition to imaginative, outlandish styles, you're known for sending message T-shirts down the runway. One of last season's was “Adults Suck Then You Are One.” Any special messages this time?
JS:
Just to give some context, I was thinking about Teenagers from Outer Space, the B movie from the 1950s, and also the Misfits song [“Teenagers from Mars”]. I was imagining what would happen if aliens were stranded here, thinking of that John Waters or early David Lynch vibe—kind of garish and art house, but referential to 1950s. So the message is “Earth Sucks,” which is a play on the one from last season and also a riff on the horror movie.
What brought you to show during MADE Fashion Week?
JS:
Virgin America! [Laughs] I've gone back and forth between showing in Paris and New York, and I feel like I sit between the two. Maybe there's a European sensibility to my work, but I'm an American. I love this country and the aspects of fashion that it's known for; I've been a proponent of sportswear since the beginning, trying to lend a glamorous take to it, like, say, a tuxedo jacket made out of fleece. Showing at
is important to me, because it's a place where fashion is created all year round. It feels organic.
You attended Pratt in the mid-'90s. What was Brooklyn like at the time?
JS:
It wasn't as gentrified as it is today. I loved Pratt, loved the school, loved the whole college campus environment. Two of my best friends now were schoolmates of mine, though they weren't studying fashion. The school is so great because it's interdisciplinary. We learned [subjects like] photography and art, too. Fashion is my medium. It was really the right place for me.
When you come back to New York, what do you like to do?
JS:
I love the
—I love that it's still standing. I love tacos at
. I love that macrobiotic place, Souen. I love
and wish we had that in LA. I love just walking through SoHo, the Lower East Side, lower Broadway. I love how you just run into people you know, and have a chance to catch up. It's so pure.